Deborah Elonga, 2018 garduate of Concord High School, was the first recipient of the Different Roots, Common Dreams Scholarship Fund.
Read more about her and the fund in this article in the Concord Monitor was on 11/22/18 (Thanksgiving Day). It was the lead article on the front page. The newspaper article has been reformatted for easier reading. Click on each page and again in the upper right corner to enlarge the print.
In 2018, Becky Field was named Concord’s “Most Fascinating Artist”. She was nominated by a member of immigrant community for the photography work she has been doing since 2012 to document the lives of NH’s immigrants and refugees.
“I am so pleased with this recognition that this provides another opportunity to bring more public attention to the contributions of our immigrant and refugee neighbors, and to honor the rich cultural diversity in our communities,” Becky said.
There was a live telecast program during ConcordTV’s 2018 Concord On Air on Sunday, October 28, 2018.
Watch this video, made by Concord Community TV, as Becky photographs new Americans.
Check out this very interesting and creative interpretation of several of my photos using a Geographic Information System (GIS), created by Christopher Bernard at University of New Hampshire – link
You can see Chris’ full article about my UNH exhibit here. It was posted in the “UNH Digital Journalism Sandbox.”
Thanks, Chris!
“Different Roots, Common Dreams” received a wonderful review from the Midwest Book Review! They stated that it “is a pleasure to browse through and … very highly recommended.” Here’s the review.
Different Roots, Common Dreams
Becky Field
Peter E. Randall Publisher
Box 4726, Portsmouth, NH 03802
www.perpublisher.com
9781937721244, $35.00, 116pp, www.DifferentRootsNH.com
Synopsis: New Hampshire is 92% “white,” so few people have experienced the emerging cultural diversity in the Granite State. For more than three years, photographer Becky Field has documented the lives of NH’s immigrants and refugees through photographing their weddings, funerals, workplaces, children at play, sacred ceremonies, and joyful celebrations. Through Becky’s photographs and stories by NH’s refugees, “Different Roots, Common Dreams” tells of the journeys and celebrates the beauty and resilience of NH’s new American families.
Critique: Combing occasional commentary and beautiful photographic images, captioned and in full color, “Different Roots, Common Dreams” is a pleasure to browse through and ultimately quite informative. Simply stated, “Different Roots, Common Dreams” is very highly recommended for personal, community, and academic library Contemporary American Photography and Ethnic Photographic Studies collections.
(The MBR promotes literacy, library usage, and small press publishing, and reviews books designed for community and academic librarians, booksellers and the general reading public.)
The Muslim holy month of Ramadan has just come to an end. In the last few years, I have been fortunate to learn a thing or two about this holy season through my photography within the Muslim community in New Hampshire.
The start of Ramadan varies every year, timed on the sighting of a new, crescent moon. This holy month is for introspection, increased devotion, and fasting from dawn to sunset. Eid marks the end of Ramadan. On the day of Eid, Muslims stop fasting and are encouraged to forgive others and let go of animosities. Families and friends get together for joyful celebrations with new clothes, gifts and food, especially sweets. The date of Eid is determined by the appearance of the next crescent moon.
Two years ago at the time of Eid, joy was dampened in Manchester’s Muslim community because their new, partially built mosque had been vandalized. The six-sided brick building, located on a wooded hillside, was designed with high arching windows. Because of their size and contours, the windows were fitted with special and expensive glass. The vandals had smashed the glass in every one of those windows. Despite this sad event, leaders of the Islamic community were eager to observe the rising of the crescent moon that year from their new mosque site. They invited me and my camera to join them.
The mosque seemed more a construction site than a holy building. We passed a locked chain-linked fence and climbed up a crude wooden plank into the vast sanctuary with angled brick walls. Tools, boards, buckets and other signs of the builders were all about. I carefully climbed a construction ladder to get onto the second level of the building. On the floor in the fading daylight I saw the glimmer of shattered glass all around. Pointed glass shards still stuck out of the rims of the arched windows.
Soon we saw it, rising over the treetops – the white sliver of a crescent moon. As I quickly clicked the shutter in the dimming light, I sensed the irony of photographing a moon that marked a time of forgiveness and peace through a window rimmed with glass shards from an act of malice.
Because of the low light I used a shallow depth of field and focused my lens on the moon and distant treetops. As a result in the final photo, the edges of the shards in the
foreground are softened from being slightly out of focus.
Maybe that in fact is the message of Eid – focusing on forgiveness, symbolized in that rising crescent moon, can soften the sharp edges of hate and destruction.
